Specific points and places of filmings

the Alushtinsky valley - the most spacious on Southern coast and, certainly, the most picturesque. The amphitheatre of the mountains surrounding it from different directions, except the south, gives absolutely inexhaustible possibilities of shooting: Chatyr-Dag with Demerdzhi and on the contrary, Babugan about the Eklizi-breaker and Chatyr-dag from Roman Kosh, all these giants with Kastelja and so on.

Outlines of mountains vary in the most unpredictable image - if from a line at village Radiant a separate rock at top Demerdzhi looks as a head of empress Catherine the Great from Alushty and from districts to the West from it all file of Demerdzhi looks as the bared girl who has leant back on a back with the magnificent hair falling to the sea.

In Alushte there is a House of creativity of workers of cinematography. Here the set of films is removed.

The Building Alushtinsky post office can be learnt in naive, but very bright and amusing film "¤ючхыѕщ Орэш=№".

It is possible to name Favourite in places of photographings of visitors of Alushty: a rotunda on quay at a city beach - from it the remarkable kind on the east, on cape Meganom which looks as mysterious island opens; opposite to it - Olympic Misha, a charming symbol of the Moscow Olympic Games of 1980 (Alushta really was the major Olympic centre of the USSR, and today - the CIS); Fish-whale - a remarkable mosaic fountain in Seaside park.

Old asphalt highway at village Radiant - the basic place of shootings "-ртърчёъющ яыхээшч№" and at bottom of mountain Demerdzhi local residents with pleasure will show you that stone on which Nina sang an immortal song about bears.

Krepost Funa at mountain bottom has any especially convincing vysokogorno-extreme kind, equally authentic for Cordilleras, Pireneev and the other Alpes. "РхЁфчр =Ёх§" "¤Ёшъы¦ёхэш  a royal marksman ПрЁяр" and other films with high-mountainous locks removed here.

Well and the Valley of Ghosts hardly above … it is possible to remove not only without scenery, but also without the scenario in the Evening. Shreds of a fog and moonlight game on rocky sculptures will create such impetuous mix of a sensuality and mysticism, knights and vampirstva what on forces to sound only to Bach body or a synthesizer of Kitaro.

Rusanov Igor
Garmash Peter